Beals, in a sharp black suit, is stunning. She exudes a perfection so engaging that we sometimes felt a halo was about to spring from her ears. This halo would consequently emanate a soothing, healing radiant glow that would enlighten the audience and enable world peace.
If you ever saw me wearing that, you should have an intervention. We wanted to err on the side of love. I do that with gratitude, and I find it to be an honor, honestly. You can try to ensure certain integrity that you have from the original show, but you have to jump in with absolute joy that the world is not the same and therefore you get to explore different conversations and different ways of being. Was it putting on her power suits?
When it premiered inthe show broke ground by virtue of its premise alone: queer women in Los Angeles live and love in high soap opera fashion. The cast was uniformly thin, long-haired, feminine and conventionally attractive.
Choose display mode
Early storylines found Bette and her partner Tina navigating artificial insemination, a tennis star coming out of the closet and a wide-eyed L. It all seems very Lesbian —not to mention very tailored to the heterosexual male gaze—in contrast to what goes down within the first few minutes of Generation Qwhich premieres Dec.
While the show does begin with one of those gratuitously long sex scenes for which The L Word was famous, this time the couple between the sheets is Latinx millennials Dani Arienne Mandi and Sophie Rosanny Zayas. And it turns out Sophie is on her period. With their glamorous jobs and rich-people problems, Bette, Alice and Shane are living the same sparkly postfeminist fantasies that hooked viewers in the aughts. While Shane buys a bar on a whim and Alice flirts with talk-show guest Megan RapinoeDani and Sophie wrestle with the class differences that divide them and freeloading goofball Finley an early contender for the Jenny Schecter Award for Most Irritating Character is forced to confront her Catholic upbringing.
The result is a more serious drama shoehorned into an aspirational soap.
She inherited a show that had been widely criticized during its initial run for its homogeneous depiction of queer womanhood, that had gone irreparably off the rails in later seasons and that has aged terribly since it went off the air. While there has never been such a thing as a monolithic lesbian or bisexual or trans experience, relatively positive depictions of these characters were so scarce until recently that communities starved for mainstream representation 15 years ago had to take if also complain about what they could get.
But in the past several years, as a spike in support for LGBTQ rights has coincided with an explosion in scripted television, queer women of all identities and personalities have started anchoring shows which are not, unlike The L Wordsolely about their identities as queer women. The Bisexualfrom creator-star Desiree Akhavan, does something it would be interesting to see Ryan attempt in earnest, meditating on the gaps in experience that separate queer-identified college-aged, millennial and something women.
Trans characters have come to the fore in PoseEuphoriaChilling Adventures of Sabrina and the ill-fated Transparent. Within this subset, racial diversity is also on the rise. Most surprisingly, in a landscape where gay men have historically stood in for the larger community, for the first time a majority of LGBTQ characters were women.
It was strange, then, to see Chaiken lamenting the lack of successors to her show in a recent interview.
That was what made it so simultaneously addictive and offensive—an extremely flawed but very fun-to-watch relic of a transitional moment. at letters time. By Judy Berman. Get The Brief.
up to receive the top stories you need to know right now. Please enter a valid address. Please attempt to up again. Up Now. An unexpected error has occurred with your up. Please try again later.
Related Stories. America Needs to Get Back to Facts.
Cornwall girls phone s
You have reached your limit of 4 free articles. Already a print subscriber?
Go here to link your subscription. Thank you for reading TIME.