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Seurat labored extensively over A Sunday on La Grande Jatte—reworking the original as well as completing numerous preliminary drawings and oil sketches the Art Institute has one such sketch and two drawings. With what resembles scientific precision, the artist tackled the issues of color, light, and form. Inspired by research in optical and color theory, he juxtaposed tiny dabs of colors that, through optical blending, form a single and, he believed, more brilliantly luminous hue.


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The Chicago Reader. Le chat. A leaden allegory, with the breakdown of an aging couple's marriage standing in for the Decline and Fall of Western Civilization.

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Pierre Granier-Deferre's film, based on a Georges Simenon novel, plays like an anthology of dated New Wave gimmickry. No one in this film can move an inch without doing something terribly symbolic. Is the cat loved by the husband, assassinated by the wife the Child They Never Had? Or is it Love in the Modern World?

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Or is it, perhaps, Christ Himself, Buddy? The answer to all these questions is yes, and more. At best, Le chat is a dreary footnote to the careers of Jean Gabin and Simone oret, forgettable if not forgivable.

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